Perfect for the Advent season and beautifully enhanced by handbells, this anthem incorporates the well-known carols Let All Mortal Flesh Keep Silence and Angels from the Realms of Glory
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This advanced setting of the traditional Latin is scored for unaccompanied mixed chorus (soprano divisi) and is taken from a longer Missa Brevis. Syllabic pulsing rather than holding out whole notes makes
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This piece explores the theme of hope through a rich homophonic texture, contrasted with a brief solo section in which individual voices punctuate a dissonant background swirling with brief melodies. Rising
A simply elegant piece, with a lyrical melody shared between the voice parts. This anthem, scored for SAB chorus with piano and optional violin or flute, promotes the mission and wholeness of the church and
Undoubtedly, Allen Pote is a master craftsman when it comes to music for the church. His many publications are staples in almost every church choral library. The text for Be Still and Know That I am
This cherished traditional hymn finds a fresh voice in this setting. Scored for mixed voices in the key of Db, it enjoys long phrases and an expressive piano accompaniment. Lyrical, beautiful and a great
This setting of the prayer, "May I know your more clearly, love you more dearly, and follow you more nearly, day by day.' is set to a lyrical melody well fitted to the text yet enhanced by a beautiful
Lively and energetic, the Benedictus begins in unison and expands into a three-part canon, then leads into a fun, rhythmic Sanctus adding djembe and overlapping vocal parts. The piece concludes with a
Josh Bauder is new to the Hinshaw catalogue. While quite prolific in other catalogues, this first Hinshaw publication is scored for mixed chorus with piano. Focusing on Christ’s gifts at
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Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
Giovanni Gabrieli, an Italian composer and organist, was one of the most influential musicians of his time, representing the culmination of the Venetian School. This setting of Psalm 98 is scored for double
Layers of ostinati, partner melodies, and fun-to-perform body percussion combine in this original piece that encourages us all to explore possibilities and celebrate life. Ideal as an opener or for final
All My Trials is one of the most popular arrangements by choral master Norman Luboff. A Bahamian spiritual, composer James Green makes use of the Luboff arrangement and superimposes the language and
This popular Hungarian folk song, rich melodically and rhythmically, will work well with a variety of ages. An English translation is included.
Three phrases: "Come, thou fount!"; "Tune my heart!"; and "Sing thy praise!" form the ostinato that undergirds the familiar hymn tune that starts off this rhythmic, energetic arrangement. This joyful
Using simple means to explore one of the most profound of all Christian experiences, this setting of R.G. Huff's text provides a distinctive communal experience between choir and congregation. There is an
A thrillingly fresh take on the beloved spiritual, this arrangement features a sparkling piano accompaniment, recurring use of 7/8 meter, and unexpected harmonies. Accessible for any advanced high school,
As a church musician himself, Hank Hinnant's choral music is always accessible, inspirational, melodically beautiful, and engaging to those who hear his musical creation. He writes particularly well
There are a number of Ezekiel 37 choral settings that have been around for quite some time. This fresh new setting by composer Jeremy Nabors is scored for unaccompanied mixed chorus (with limited
A very picturesque text setting, well written and meaningful; this is the perfect anthem for Ash Wednesday. Easily accessible to adult or youth choirs, it is scored for mixed voices, soprano descant, piano,
A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The
Elijah's message and its many transitions recalls the journey of life and its many transitions. This exciting, rhythmic arrangement is a welcome addition to any concert program by advanced high school,
Well known for his beautiful ALLELUIA, Manuel sets the familiar text How Can I Keep From Singing for mixed chorus with piano and optional obbligato for two violins. The piece