This moving anthem based on the calming text found in Psalm 46:10 will be very welcome in your worship services. The stillness of the text is matched with a lovely original melody and piano accompaniment.
A minimum quantity of 5 is required on this title.
A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies
This fascinating text by Thomas Troeger is constructed like a chain of talismans: "Heart, hold fast. One truth clasp: Center on Christ alone." William Beckstrand has crafted a lovely two-part treble setting
An original text by Marilyn Biery is set for voices and piano with optional B-flat or C instrument. This setting is two equal parts, it could be used for treble choirs or for mixed choirs as well.
The familiar words of Psalm 51 are the inspiration for this lovely anthem. Voices, piano and optional handbells come together as one voice to give praise in this song of renewal.
A simple but transcendent setting of the chant tune CONDITOR ALME SIDERUM, this movement from Kneeling in Bethlehem begins with men in unison against a handbell ostinato. The second stanza is
This accessible arrangement of Carl Schalk's hymn tune, RAABE, is perfect for the smaller choir with optional congregational singing. Susan Palo Cherwien's text compares the story of Jesus's appearance to
A lively and energetic setting of the Gloria for two-part equal voices. Very usable in worship and liturgical settings.
Frances Chesterton's beloved Christmas poem, paired with a traditional English melody, is given a sensitive treatment in this sweet anthem. The descanting upper voice-part is relatively simple and easy to
A treble setting of the Latin mass. Written primarily in unison with some divisi, the piece features a stirring organ accompaniment and soaring vocal lines.
Michael Burkhardt has taken the refined music of Mozart and combined it with a well-known hymn text by Louis Benson. The lilting 6/8 meter and charming melody of the original are combined with optional
Purcell's familiar vocal duet Sound the Trumpet is presented for two-part mixed choir and a more recent two-part treble in this effervescent transcription. Using text from the Psalms,
An original melody for a familiar and comforting text by Henry Alford, these settings are accessible for choirs of various sizes. Optional divisi is given for larger choirs, and a solo version is also