Isaiah 62

This great praise text by St. Francis of Assisi is set with a majestic, rich piano part and vocal parts that begin in unison and expand. Not at all difficult but requires an accomplished pianist.

Cooman's lovely Marian motet is sung in Latin (a cappella) and has varied textures based on the text. Homophony, imitative writing, and divisi all contribute to underlining the text, appropriate for Marian

Known as one of the greatest violin concertos of all time, the second movement from Felix Mendelssohn's orchestral work is abridged and transcribed here for organ.  The use of a solo stop for the

This extended setting of the prayer of St. Francis has an integral organ part, unison verses, a four-part a cappella verse and two verses with soprano descants. A perfect liturgical work for the feast of

Based on selected verses from Psalm 42, the music paints a vivid picture of our longing for God. Its long lines and divisi texture provide a rich support for the text. The modal quality of the music gives

Beginning set in d minor brings a pensive feel to this heart-felt prayer.  The vision becomes brighter especially with the modulation to G Major before the final verse as the text speaks of heaven and

This familiar text is skillfully given a new melody by David Barton. The piano part is engaging and thoughtful and allows the words to be clearly understood. This setting is predominately unison and

The refrain of “Hodie” begins this anthem and punctuates each verse changing the meter from 4/4 to 6/8 and giving a joyful, upbeat and dance-like spirit.

This work uses a text by Josiah Conder and lyrical melody as its basis. After a short organ introduction, the first verse is given over to the women's voices. The second verse is sung SATB. The vocal parts

This lyrical setting of the O Wondrous Sight text by John Mason Neale is lovely, and the piece ends in a grand manner. There are some divisi portions. Appropriate for Transfiguration and other

From the fanfare opening to the solo trumpet melody, this march is a welcome addition to the repertoire. Composed for a Remebrance Sunday in November 2017, this piece speaks to the memory of all those who

A large anthem that can be done with additional brass, this is based on a text of Charles Wesley. White has also written a rich organ part that gives various color options. There is unison writing as well