Galatians.5

This delightful Mozart favorite has been beautifully arranged for handbell quartet. It is true to the original with phrasings and styles supported by perfectly placed articulations and dynamics. The

Based on the tune VIA DOLOROSA, this piece begins and ends quietly. It has big chordal middle section and is most appropriate during Lent or as a general selection.

This wonderful collection for solo handbell and piano or keyboard can be prepared with limited rehearsal, while building confidence in ringing skills and technique. A great choice for both beginning and

The pieces in this collection span the church year, with the Advent and Christmas titles being the easiest. The soloist's part is included as a pull-out booklet. The keyboard accompaniments are also

This original work is suitable for worship or concert and features a delightfully happy melody supported by counter melodies in the inner voices. Nicely placed stopped sounds and  dynamic variances

The traditional Shaker tune has been given new life in this amazing arrangement for handbells, optional handchimes (5-7 octaves), optional auxiliary bells (one octave), flute, and cello. The interplay

A festival piece for organ, bells and brass! A lot of fanfare effects as accompaniment and melody are shared by both instruments. Brass ensembel is two trumpets, french horn, two trombones and

The compelling 12th-century Irish tune is set featuring rhythmic mallets in the bass, first with straight sixteenth-note patterns and later with sixteenth-note triplets (a la Ravel's Bolero). The

Each introit is for solo voice or unison choir (or solo instrument) and handbells. Titles included are: O Come O Come Emmanuel; Hark a Thrilling Voice is Sounding; Rejoice Rejoice Believers; and Savior

Written for piano in 1877, the title came from a performance suggestion made by the composer to "play both hands turned sideways, so that the movement of the hands imitates a chopping motion." This version

Taken from Schubert's Deutsche Messe (German Mass), this arrangement includes words (in English) for ringers or congregation to sing with handbell accompaniment. An introduction, interlude, and

The lyrical melody is carried in the treble throughout, supported by chords in the mid-voices and a gently malleted bass pedal line. The few interspersed dynamics fit the musical line perfectly. The 5-7

The folk song has been given a more contemporary style through this bell tree solo arrangement. Meaningful for Lent, Maundy Thursday, and Good Friday as well as other times, it offers room for