Ezekiel.37

It's ok to be off! This chart's harmonic structure uses only the last eight bars of a 12-bar blues - the first four bars of a typical blues are missing! -  hence the title 1/3 Off. A perfect

This Oliver Nelson chart features alto saxophone and trumpet playing the melody. Lengthy solo sections with exciting backgrounds are featured for both those players. The band also has their turn to

A swingin' blues but with a fun twist: 13-bar blues! Suggested solos are written for tenor sax, trumpet, trombone, and some brief drum set fills. The trumpet range is up to a written E top space. Your

This medium difficulty chart refers to the scenic road through Pebble Beach and Pacific Grove on the Monterey Peninsula in California, much of which hugs the coastline and passes famous golf courses,

2 by 2 is written in the style of the great Cool era jazz composers like Bill Holman and Gerry Mulligan. It utilizes counterpoint in the backgrounds rather than block chords you would find in a

2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its

Starting with an a cappella saxophone chorus, this chart quickly moves into a B-flat blues with plenty of written or ad-lib solo space for trombone and alto sax. There's a "quiet shout" chorus that builds

Relaxed medium tempo jazz waltz. Features trumpet and tenor on the melody and solos along with plenty of swinging ensemble work.

Composed for the 50th Anniversary of the Lionel Hampton Jazz Festival in 2017, this chart will get your band and your audience up and swingin'! There's plenty of solo space for tenor saxophone, piano and

Need a great opener or a burning closer? 702 Shuffle can take care of either spot on the program! With a strong melody, an infectious groove and solid ensemble work, this Bret Zvacek composition

Salute the unsung hero of the jazz ensemble, the piano player, with this accessible piano feature! 88 Ave. B is an accessible Basie-style swinger that features the piano throughout

Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then

Composed for the Northwestern University Jazz Ensemble, this gem opens with a misterioso 12/8 minor blues which is evocative of the classic Ellington/Strayhorn orchestrations of the 1950s and '60s. The

A playful chart in a Basie swing style, Aardvark Stomp is easy and fun to play and a great way to assist young jazz musicians in developing ensemble and sectional playing skills. There's