Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
A minimum quantity of 10 is required on this title.
Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response, and the vitality of the congas, claves and djembe will
Close harmonies and a lyrical melody paint the sense of longing one feels after losing a loved one. An exploration of dissonance and resolve, this a cappella piece provides comfort in a time of
A minimum quantity of 5 is required on this title.
This song is about the potential hidden in all of us – we can all save the world if we put our minds to it. The lyrics are the thoughts and dreams of young people, and both the text and the music will
Celebrating the wonder of music and the healing power of song, this work is an artistic expression of the unity and hope that music brings!
A minimum quantity of 8 is required on this title.
Set in an uneven meter, this energetic music gives your choir a chance to explore self-awareness and the possibilities available to them. Scored for choir, solos, body percussion, piano, and optional
Here is a song perfect for graduation or any celebration of moving on: "I got some dreams that are bigger than me." The music is arranged to make it appropriate for concert, pop, or show choirs.
Covered by a multitude of artists since it was first recorded by The Mamas and the Papas, this timeless hit is reimagined in this concert arrangement as a slower, bluesy ballad. An artistic piano
This powerful and passionate ballad the Witch sings to her daughter in Sondheim's masterpiece "Into the Woods" is set here for the concert stage. It is a tour de force when performed with piano, but when
Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,
"I am you are me...." This innovative original uses a clever text and pop-style music to create an environment of togetherness among members of the choir. Community - that's what it's all about. Each vocal
The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male
This energetic and rhythmic setting of the Sara Teasdale text is a true standout! With both a contemporary a cappella feel and artistic choral integrity, this is a piece that directors will love teaching,
This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
A moving setting of this gripping and emotional text. In this setting, the composer captures the solemnity of the text throughout the thoughtful choral writing, comforting those who are left to grieve.
A poem by Christina Rossetti is the inspiration for this expressive piece for four-part voices and piano. "Where sunless rivers weep their waves into the deep, she sleeps a charmed sleep..." Appropriate for
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With a classic text by Walt Whitman, Each of Us speaks to our shared humanity and rights, the responsibility we have to the earth and its blessings, and our limitless human possibilities. The piece
A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The
With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a
This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth. Appropriate for any memorial
Royal Canadian Air Force pilot John Magee wrote his popular poem High Flight when he was 19 years old. In the poem, he describes the delirious feeling of wheeling and soaring, and an intimate
The exciting fanfare opening exalts the title then continues with long melodic lines above a rhythmic and driving piano accompaniment. Throughout, the text is musically reflected in style and dynamics with
This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete