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For nearly 200 years, the 371 four-part chorales (371 vierstimmige Choralgesange) of Johann Sebastian Bach have enjoyed popularity and usefulness in music education. This classic collection has been used in
Lay the foundation for successful part-singing with this unique and valuable resource designed to aid music teachers by providing a step-by-step path for teaching young choirs how to sing harmony, building
Canons! Fugues! Chorales! All of these forms that made the Baroque period so delightful are employed in this classic series of sight-singing material for mixed, treble and tenor-bass choirs. Beginning with
In this classic series of sight-singing material, composer Hank Beebe has succeeded in capturing the spirit and ambiance of the Classical period in all its rich variety. Beginning with simple, step-wise
Geared perfectly for young, changing voices, this series was written specifically for choirs that need simple rhythmic exercises with a sequential progression of solfège skills. To
If your choir can sing up and down the scale, they're ready to dive into this series! Each exercise is limited to a brief eight measures, so one or two a day should easily fit into your available time. Each
If your choir can sing up and down the scale, they're ready to dive into this series! Each volume of this flexible series contains 150 duet (or 300 unison)exercises that progress sequentially from
Using the rules and conventions of 16th century counterpoint, the sound and flavor of Renaissance polyphony has been preserved in this elegant series of graded original compositions. Beginning with simple,
This series was designed to be useful in all teaching situations, from middle school on up. The range is limited to one octave - C to C - so that everyone sings in a comfortable range throughout. The
Part vocalise, part warm-up, part novelty, part concert opener - all this and more in this flexibly fun piece! Explore a variety of vocal textures and articulations, all on nonsense syllables that layer and
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Following up on Gilpin's Vox, here's another flexible, fun-to-sing original piece with so many uses! Set up as rondo, this perfect opener is part warm-up, part vocalise, and part novelty, with