The 1983 #1 hit by Toto has a timeless appeal that really resonates with today's choirs. It has great harmonies and vocal effects in this classic King's Singers arrangement. The SATTBB version is their
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The Latin jazz sound, complete with a killer horn line and lots of percussion, is faithfully captured in this arrangement. Show choirs will have fun with the jazz-flavored harmonies and bossa nova feel,
This beautiful ballad celebrates the spirit of inclusiveness and diversity and is a lovely choice for the holiday season or anytime throughout the year. "So come as you are. Remember that the door is always
Swing your way into autumn with this stunning vocal jazz selection by noted arranger Paris Rutherford. Close jazz harmonies, optional solos, and extended section "scat" riffs distinguish this vocal jazz
Featuring a retro '70s feel and infused with elements of funk and soul, this sunshine-laden summer song is all smiles and good vibes. Your singers will enjoy all the pop a cappella techniques included in
From the Barbershop Harmony Society, a luscious four-part a cappella arrangement of the popular song from Disney's "Beauty and the Beast" arranged for mixed, treble or tenor-bass quartets or ensembles, set
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This medley of top James Bond theme songs features James Bond Theme; The World Is Not Enough; Skyfall; Goldfinger; Goldeneye; You Know My Name; A View
As recorded by Manhattan Transfer, here's a funky fusion setting of the jazz classic by Josef Zawinul and lyricist Jon Hendricks. For experienced vocal jazz groups with soloists, this is very impressive!
This quirky gem from Duke Ellington has been a staple for the jazz vocal group New York Voices for years and is an audience favorite. NYV member Darmon Meader turns the relatively simple tune on its ear,
Combining an upbeat lyric with an easy swing setting creates a feel-good piece for audiences and singers alike. A choral scat section is followed by a scat solo, either improvised or using the written part.
Legendary harmonica player Toots Thielemans created this famous jazz standard which has been covered countless times. This arrangement begins simply, allowing your choir to establish the groove with
Based on the fresh interpretation Pentatonix gave, this well-loved song can be performed a cappella or with piano accompaniment. Opportunities for soloists, including gospel ad-libs, plus interweaving vocal
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
Lin-Manuel Miranda's character Jack from the Disney live-action film "Mary Poppins Returns" delivers a jaunty declaration with twisting phrase turns, rap sections, and a memorable main chorus that your
Get hip, little dogies! This country blues tune made popular by Ella Fitzgerald in the 1940s makes a great swingin' western-style novelty, perfect for themed concerts. This well-done vocal jazz arrangement
This unique Pentatonix mash-up of Daft Punk's greatest hits includes Around the World; Get Lucky; Harder, Better, Faster, Stronger; One More Time; Technologic and Television Rules the
This sizzling-hot arrangement will appeal to jazz and show choirs, and audiences will love it! In an upbeat swing, this toe-tapper has a fully notated layered choral scat section to provide contrast. Add
This arrangement of one of the most popular bossa nova songs of all time stays true to the style, with plenty of jazz harmonies and a smooth groove. Accented by the piano part and optional instrumental
This rousing chorus from "Les Miserables" will be a powerful closer for any performance. Your barbershop quartet or chorus will bring down the house! Available in mixed, treble or tenor-bass
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This hit song from Dua Lipa's award-winning album is all about the funky nu-disco sound. Arranged by the defacto "father of contemporary a cappella," this is a fun number that mixed or treble a cappella
This Latin jazz tune, sung in Spanish, features tight harmonies, nifty vocal articulations, and ostinatos. Solo voices are called upon to imitate various percussion instruments such as bongo drum and
Here is a 1945 Duke Ellington and Ella Fitzgerald tune that is an easy shuffle. The lyrical hook is fun to sing, and the background harmonies are really tight. There's a short section of choral scat in the