Psalm 24

This delightful, original work has a rhythmic foundation built on mixed meter throughout, featuring a delightful melody perfectly suited to the rhythm. Nicely placed mart-lifts add to the engaging pulse of

The perennially favorite hymn tune NETTLETON, delightfully arranged by Mark Hayes, is perfectly adapted here for handbell solo with piano accompaniment. Rhythmic and engaging, with very nice segues into

The traditional spiritual was originally arranged for handbells by Dan R. Edwards and now Sue Garton has further arranged it as a delightful handbell solo. Written in f minor, this piece is ‘swung and

This piece is performed entirely with mallets with a few martellato lifts in the middle to create contrast and bring excitement to the piece. This is a challenging arrangement due to the tempo and key

This timeless tune is based on a Ukrainian folk chant called Shchedryk, which means "bountiful," and was originally a New Year's well-wishing song. New lyrics in English have made this beloved tune

This fantasy for 4-octave handbell quartet is from "Lyra Davidica" and is a "busy" piece with shifting meters, eighth-note accompaniment figures and lots of chromatic movement. Helpful performance notes are

This beautiful composition from the opera "Lakme" is now arranged for bell tree duet or solo with piano keyboard accompaniment. The solo has two versions: a simple arrangement using only one mallet in each

This classical piece uses Ring, TD, and mallet techniques to highlight the various tempo changes throughout the piece. When all four ringers are malleting, it is as though eight mallets are dancing on the

This series by Jonathan R. Mueller was composed to make it easy for congregations to sing hymns when handbells provide the only accompaniment. All of the arrangements were written for use by a parish or

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One of the many great hymn tunes by Johann Cruger.view details

One of the NordensMusik Handbell Introit Series of handbell pieces suitable for hymn introductions or incidental music based

The setting of the familiar carol uses Singing Bells and suspended mallets at the beginning to accentuate the silence of a starry night. In the middle, the melodic line is transferred from the bass ringer

This delightful and familiar minuet has been beautifully arranged for handbell quartet. The elegant melody is rung while being supported by graceful LV sixteenth-note passages. There is a brief minor