One of Advent's most quintessential hymns, the setting of On Jordan's Bank may be used by piano based ensembles or as an alternative setting by traditional forces. Parts for guitar, cello, and C
Thoughtfully scored for two-part mixed voices, this lilting anthem references well-known Advent texts from Isaiah. With a rolling piano accompaniment, it is easily taught and approachable yet dynamic!
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Choirs looking for multigenerational moments will enjoy this gentle anthem, scored for SAB voices and optional children's choir. With a strong message about God's peaceful kingdom, this is easy to prepare,
Voctave's arranger Jamey Ray has created a hauntingly beautiful setting of this traditional Christmas hymn in an arrangement that is accessible to any choir. The piano motive and chromatic accompaniment
This anthem on the tune KINGSFOLD sets two different hymn texts, making it useful throughout Advent, the season after Epiphany, or general use. The Alto part is optional, making this a flexible and
A recurring rhythmic motif begins in the accompaniment and anchors this simple but creative setting of the tune Veni Emmanuel. The composer specifies sopranos/tenors on the upper (treble) staff and
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This anthem incorporates the tune NOEL NOUVELET with a thoughtful Advent text. The result is a sensational SAB anthem for the busy season of Advent. As the piece ends in a repetition of the text "Prepare ye
Pensive and inspiring, this piece underscores the four important Advent themes of hope, peace, joy and love, and is particularly appropriate for use during the weekly lighting of Advent candles. Nicely
Thoughtfully arranged, this original tune in minor is singular in its sound. The traditional spiritual's text is ideal for those Sundays with readings related to the second advent of Christ. This anthem,
A good balance of unison and harmonic vocal writing makes this anthem accessible to choirs of all sizes. Thomas Keesecker has written an original melody for this well-known Advent hymn; a piano part
Thomas Keesecker's tuneful setting of the beloved Bianco da Siena text is for mixed two-part voices with a flowing piano accompaniment. This piece is great for smaller choirs and is well placed at services
This classic Christmas chorus from Handel's Messiah has been skillfully arranged for SAB voices and organ by Hal H. Hopson. He has masterfully kept the essence of the original, even in the
Designed to support the lighting of the Advent candles, this includes a choral opening, followed by a call and response litany with piano underscore, then a text to be read with the lighting of the candle.
Infectious and jazzy, with a dash of handbells thrown in for good measure, this original piece will bring enjoyment to all who hear it! A verse of O Come, O Come, Emmanuel is blended in the middle
The words of the prophet become song in this carefully written sacred anthem designed for choirs of any size. Perfect as a processional, the voices can be divided into any combination, maximizing the
This great Advent anthem from Pepper Choplin is inspiring and very appropriate for the season. The classical feel of the piece is supported by the excellent orchestration. The piece also includes O
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Choirs large and small will find this flexible anthem to be a tender addition to their Advent repertoire. The readily learned piece is accompanied by piano and includes a lovely cello obbligato. It can be
Now available for men's or mixed voices a cappella, this chant-like setting presents the ancient Advent carol with simplicity and authenticity. In Latin throughout, it will transport your audience or
This 3-part anthem is well suited for the third Sunday of Advent, Christmas Eve or Christmas Day. The melody dances along throughout, and the text centers on images and themes of the prophecy's fulfillment:
Jay Rouse cleverly combines two classic tunes, Lo, How a Rose and Of the Father's Love Begotten, in this lovely Advent/Christmas anthem. The optional orchestration by Ed Hogan adds an
With ample unison passages to ensure quick preparation during a busy season, this creative presentation by Ruth Elaine Schram expresses a fervent plea for Christ's return. The optional cello accompaniment
Flexibly voiced for two-part mixed or SATB voices, this lively anthem is a great addition to the Advent hymn-based repertoire. Larry Shackley's delightfully festive setting of PUER NOBIS is a quickly
Hope forms the foundation of the Advent text that moves us through the Child of promise, Child of mercy and Child of Heaven, each with increasing intensity until, floating like a prayer, the piece ends in
Beckoning for Emmanuel to "come and set us free," this anthem of expectation combines original music and text with the beloved Advent hymn O Come, O Come Emmanuel. A stirring piano accompaniment