Sacred Choral Concert Music

Translated as "Let's Rejoice Today," this celebratory original work combines a short Latin and English text with a simple mixed meter setting that is a wonderful way to open a concert or service at any time

With a 16th-century text by St. Teresa of Avila, this piece has a definite ancient-modern feel. Layers of chant-like a cappella harmonies with conservative ranges are augmented by percussion for conga,

This original a cappella spiritual expertly blends a variety of styles into an appealing package that will be a standout selection for your choir. Effectively combining spiritual, gospel, contemporary a

Combining melodic and rhythmic fragments from island cultures throughout the Pacific, this exciting work for tenor-bass choirs uses a Latin text and a variety of two-, three- and four-part harmonic textures

A popular Sacred Harp gathering song is arranged with notated stylistic features of the shape-note singing tradition in an energetic, fun-to-sing setting, complete with foot stomps! The comfortable ranges

William Blake's text is given an elegant a cappella setting with full harmonies that will appeal to more advanced choirs. 

The well-known song Shut de Do! has been arranged in combination with an original melody and Swahili text to create a multicultural celebration that is simply dynamic. Powerful harmonies and

From Argentina comes this lovely a cappella setting of the traditional Ave Maria text for treble choirs. The resonant harmonies will ring with a tranquil beauty, and this piece will find a home in concert

With syncopation, rhythmic ostinatos and dynamic harmonic moments, this work creates a modern and exciting setting of this well-known and beloved text.

Singers will love this, as all sections in the choir have some melodic interest. With some close cluster harmonies and the use of the whole-tone scale in the middle section, this unique work is a great

This special SSAA a cappella setting of Ave Maria has great melodic interest in all parts, charming all who have the opportunity to perform or hear it in concert.

This hauntingly beautiful piece is taken from the composer's Missa de Cinque Terre. The ancient Latin text is paired with a completely modern harmonic setting. Beginning with whispered effects and

Exploring mixed meters and colorful harmonies, this piece takes a traditional Latin text and gives it a modern setting. For advanced divisi mixed or treble choirs, this a cappella showpiece is a fresh and

This favorite choral fugue from Bach's "Magnificat" is arranged here for only four parts with a playable piano accompaniment. This piece is a wonderful introduction to polyphonic texture, and the Latin text

Looking for something completely different with a traditional Latin text? Explore three different choral textures in this unique composition for mixed or treble choirs. An opening section of homophony

Pie Jesu is an excerpt from Kim Andre Arnesen's beautiful and inspiring Requiem. The accompanied version presents this lyrical movement exactly as it appears in the major work, with

Known for his sensitive arrangements of great texts, composer Brinsmead utilizes a Latin text from Hildegard von Bingen for an upbeat setting worthy of being called Spiritus. Layered melodies give

This tender setting of the American folk hymn from the Sacred Harp opens with a plaintive solo and light guitar or piano accompaniment before blossoming into a full divisi choral setting. Notated grace

With melodic interest in all parts, and no divisi, choirs of all sizes will enjoy this special Ave Maria. Mixed meters, expanded harmonic language and some dissonance help to make the piece unique.

A creative and festive piano part helps to lift the eyes in this elegant setting of the beloved text from Psalm 121. The opening section is quasi a cappella with occasional accompanying arpeggios, while the

Subtitled as "A New Psalm 121," poet Euan Tait has added his own verse to a beloved Psalm. Beginning in unison, this piece moves to a lovely a cappella section before building to a dramatic ending. With a

Upbeat and exciting, for treble or mixed choirs with four hands at the piano, this contemporary setting features rhythmic syncopation in the accompaniment accenting the sparkling choral parts. The brief

Agnus Dei is the fifth movement from Narverud's Misse de Cinque Terre, but stands on its own as a unique setting of this traditional Latin text. The work is inspired by five Italian