You know it, you love it! The opening motive is very catchy on this authentic sounding chart on the rock classic made famous by the group Chicago. Master arranger Mike Story works his magic to create an
This modern fusion, flexible instrumentation combo chart features two solo sections with a written solo for trumpet 1 in the first section and a written solo for tenor sax in the second section. Chords are
Here's a wonderful take on the group Toto's classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the original while remaining accessible for developing jazz bands.
Here's a Wes Montgomery bossa/rock tune that grooves along at around 145 bpm with the melody line played by tenor 1 and trumpet 2. With very playable ensemble sections and hits,
From Trombone Shorty's acclaimed CD Backatown, here is the hot title cut arranged for big band in a funky medium tempo. Combining the elements of New Orleans second line and contemporary rock styles,
As performed by Gordon Goodwin's Big Phat Band, here's a showcase for the trumpet section! The groove is straight eighths with a funky feel and there's solo space for all trumpets, but the solos can be
Just listen to this chart and you know you have to have it as Victor Lopez brings the original Weather Report version to life for jazz ensembles. All the ingredients are here, plus solo space (written or
Joe Zawinul and Weather Report turned the jazz world on its ear with this iconic fusion composition from their 1977 album Heavy Weather. Arranged here for six horns and rhythm section, this version retains
Yes, this is for real! Queen's magnum opus, in a jazz language, orchestrated for big band, with jazz solos for trombone (also cued in trumpet 5/flugelhorn) and alto or bari sax thrown in for good measure.
Recorded by Trombone Shorty on his 2011 album For True and featuring the Rebirth Brass Band and 5th Ward Weebie, this hot tune has a funky New Orleans style groove with a moderate tempo and catchy
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Herbie Hancock for the developing band? Yes! From Hancock's famous Headhunter recording, here is a great opportunity to play the biggest jazz-rock hit of all time. The melody is first played by alto, tenor,
Alan Baylock's chart on this Eddie Harris jazz classic is exciting from the very first note. This updated and contemporary version features a straight-eighth boogaloo groove at about