Galatians.2

For baritone, cello & piano. First printing. Six songs on poems by John Gracen Brown. Duration: ca. 13'. Spiral bound score, 25 p. and part.

For baritone & piano. First printing. Score, 9 p.

For baritone & piano. First printing. This song is in memoriam September 11, 2001, and the text is taken from newscasts of the that day. With program and performance notes. Duration: ca. 10'. Score, 12

For baritone & string quartet. First printing. In one movement. Dedicated to the Momenta Quartet. This monodrama sets the poem of the same name by Walt Whitman, and the baritone portrays Whitman. Spiral

For baritone & piano. First printing. This song sets a poem by Rainer Maria Rilke. The music is fast-paced and urgent. This song is the fifth from Wiemann's 6 Songs on Rilke. Score, 9 p.

For baritone & piano. First printing. Score, 8 p.

For baritone & piano. First printing. This song sets a poem by Rainer Maria Rilke. The music is slow and contemplative. This song is the sixth from Wiemann's 6 Songs on Rilke. Score, 5 p.

For baritone & cello. Reprint. Commissioned by baritone Timothy Jones and cellist Judith VanderWeg. Includes program notes. Score and part.

For baritone & piano. First printing. This song sets a poem by Maria Jazwinski. Dedicated to Jeremy Huw Williams and Paula Fan. Score, 10 p.

For baritone & piano. First printing. Score, 7 p.

For baritone & piano. First printing. Contents: Love (I); The Temper and Love (II). With program and biographical notes. Poems by George Herbert. Duration: ca. 12'. Score, 28 p.

For baritone & piano. First printing. Contents: 1. Eingang; 2. Ubung am Klavier; 3. Der Nachbar; 4. Aus einer Kindheit; 5. Dame auf einem Balkon and 6. Der Einsame. Score, 36 p.

For baritone & piano. First printing. Titles: In the Day-Break; Look Down Fair Moon and In Clouds Descending. With program notes. These songs set poems Walt Whitman wrote while serving

For baritone & piano. First printing. Score, 7 p.

For baritone & guitar. Reprint. Commissioned by David Asbury and Bruce Cain. Poem by Aidan Abney. Score, 7 p.