This lively setting of Cantate Domino by Giovanni Croce is a great way to start the year with your tenors and basses. The polyphonic opening gives each voice part a chance at the melody and is followed by a

One the earliest arrangements in the Aspen Hill library, this piece begins with voices in unison on the familiar, floating melody and is a great way to find the beauty of head voice. Danny Boy tells a story

This dramatic story of King David and his son Absalom from early American composer, William Billings, is a powerful depiction of love and grief. Open harmonies create a magnificent opportunity to teach

Written in response to the tragic and violent events of the summer of 2016, including the death of an incoming TCU first-year student, this work combines texts from the Psalms and Luke to create a haunting

This rousing setting is a great way to start a concert set with sturdy rhythms and strong harmonies. It is simple enough to work as a processional and can easily involve your audience. It has been a

Viadana's brilliant motet is a great exercise for your tenors and basses with each line of text receiving special treatment and startling contrasts of articulation and melodic contour. This arrangement

This sonorous a cappella setting gives everyone a chance at the traditional and memorable melody. The arrangement takes the singer through “dark midnight” and weaves in a moment of another

This introit drawn from the Byzantine tradition sets a text in Church Slavonic over a simple drone. A solo voice and aleatoric verse provide a unique set of textures to open any concert or worship and music

This setting, written for the St. Olaf Chapel Choir, was premiered at the 2012 Christmas Festival at St. Olaf. A beautiful weaving together of the traditional Spiritual and John Jacob Niles' memorable tune,

Sing On! Dance On! was premiered by the TCU Chorale in March of 2016 at Ft. Worth United Methodist Church on a program called, Dance On, Sing Praises! Another arrangement of this tune by Fellowes was a