Leviticus.19

Edited by Jens Rosteck.  For 1 piano, 4 hands.  Urtext Edition.  Preface in Ger. and Eng.  Performance suggestions by Steffen Schleiermacher.  Includes facsimiles and critical

Edited by Mario Aschauer. For piano. Urtext Edition. Preface in Ger., Fr. and Eng. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli's call to create

Edited by Mario Aschauer. For piano. Urtext Edition, based on the autograph manuscript and the first edition. Preface and notes on performance practice in Ger. and End. Includes critical commentary. Score,

Edited by Holger M. Stuwe. For piano. Urtext Edition. Preface in Ger. ... view details

Edited by Jens Rosteck. For piano. This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts,

Edited by Christophe Grabowski.  For piano.  Urtext Edition.  Preface in Ger., Fr. and Eng.  Incorporates the important research and findings regarding the sources.  Includes notes

Chopin composed his melancholy “Barcarolle” op. 60 (1845–46) in the rare key of F-sharp major, perhaps to express his long period of dejection. The autograph engraver’s score for the

Edited by Christophe Grabowski.  For piano.  Urtext Edition based on scholarly research.  Preface in Ger., Fr. and Eng.  Score, 103 p.

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern periods and presents an ideal repertoire for teaching and private music-making. Conceived as a supplement to

This album is a special edition not only due to its very affordable price but also because it features a cross section of Barenreiter's extensive piano catalogue.

The pieces and movements range

Ludwig van Beethoven had the ability to create an entire musical universe from the most unassuming and minuscule motif. No classical composer worked more consciously with rhythm than Beethoven: his

Chopin's Berceuse is one of his most frequently performed works and was regarded by subsequent composers as the prototype of the instrumental lullaby. This piece that Chopin initially named