Karen Lakey Buckwalter expertly weaves together a trio of Advent carols in this lyrical medley appropriate for church or concert use. Flowing lines and delicate accompaniment underscore the
The introduction immediately draws the listener in with singing bell techniques, chimes, and suspended higher bells with mallets. The middle section is the tune rung with eighth-note accompaniment and
This creative arrangement includes two well-known hymn tunes, All Glory, Laud and Honor and Rejoice, the Lord Is King. Syncopated rhythms, use of mallets, and featuring the melody
A bold opening fanfare gives way to a gently rocking accompaniment and the introduction of the traditional English carol I Saw Three Ships. Each verse is a key change with a different style or
Haunting and lovely, the arrangement of this Welsh tune will challenge the musicality of your ensemble. A delicate, exposed opening statement of the theme gives way to a flowing variation set over an
A very lovely piece with smooth flowing lines, this expressive original composition is composed in ABA form, with echoes used for interest in the middle section. The return of the original theme builds to a
A flowing arrangement of this beloved hymn that is a delight from start to finish! At times bold and assured and at others gentle and introspective, the moods, textures, and sentiments run the gamut
The famous patriotic tune is heard in three distinctly different moods. The first is filled with the moods of march and fanfare, the second with reflection and the third with celebration. A carillon-like
Gifted arranger Lloyd Larson uses two tunes, FINLANDIA and VILLE DU HAVRE, to weave a beautiful arrangement. The addition of a solo cello part adds to this musically inspiring composition.
Bold open harmonies are used for the introduction and interludes in this dynamic arrangement. Opening verses are set in a lilting 6/8. The final verse is a jubilant, driving 2/2 which gives way to a return
This beautiful arrangement of the hymntune ST. CHRISTOPHER is perfect for any service during Lent and is especially poignant for a Good Friday service. The subtly shifting moods keep the piece fresh, and
This beautiful 9/8 setting gives the familiar hymn a joyful yet reassuring mood. The rich, full chords and gentle duple bass rhythms blend with a dancing treble melody, creating a memorable arrangement.
Jason Krug begins this melody LV in the bass bells, in a chant-like fashion. He creatively adds energy to the next stanza with more bells until the third stanza becomes a jubilant dance. The last stanza has