Psalm.145

This piece is performed entirely with mallets with a few martellato lifts in the middle to create contrast and bring excitement to the piece. This is a challenging arrangement due to the tempo and key

Written for piano in 1877, the title came from a performance suggestion made by the composer to "play both hands turned sideways, so that the movement of the hands imitates a chopping motion." This version

This classical piece uses Ring, TD, and mallet techniques to highlight the various tempo changes throughout the piece. When all four ringers are malleting, it is as though eight mallets are dancing on the

In this arrangement of the traditional Neapolitan song, Ringers 1 and 2 use two simultaneous techniques (mallet roll and shake) to imitate the sound of a ukulele. After a short transition, the tune is