Isaiah 42

Already chosen for several all-state choral festivals, this exciting a cappella choral fanfare is the perfect concert opener. The text, in Italian and based on lines from Dante's The Divine Comedy,

From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism

Beginning with two main thematic ideas that are developed throughout the work - a gentle, lilting two-note motive and a lyrical four-note theme that travels throughout the voices - this seven-minute piece

With a Hebrew text, use of the augmented second interval and melodic formulas common to Hasidic and Middle Eastern music, and the use of traditional folk instruments, this original song has a completely

"The latest sun is sinking fast, my race is almost run..." The beloved American folk hymn from Kirchner's Heavenly Home collection comes to life anew, with soaring descants, countermelodies, and rich

Meaning "Blessed are those who hunger," Beati Qui Esuriunt contrasts a peaceful, chant-like introduction and coda with an energetically rhythmic middle section that illustrates how our longings and

The first word of Psalm 119 is both the first and last word of this music- "Blessed." A cappella and solemn, this piece cannot and should not be rushed. It is relaxed, free and prayerful, and all those who

This arrangement captures the spirit and the pomp of the traditional processional where the highly decorated dishes of the Christmas feast were presented with song and the great platter on which rested the

This work is based on three medieval English song fragments, the first, "Ich am of Irlande," an invitation to dance, the second, "Of every Kinne tre," a parallel between the hawthorn and the lover, the