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Fifteen women composers are featured in this collection of lieder themed around evening, night, and longing. In this Urtext edition, all 15 songs appear in their original German language text and are

The thoroughbass was the basis of composed music for an entire music-history period. To anyone starting to deal with the music of the "continuo age" in terms of study and practice today, the new

Edited by Klaus Uwe Ludwig. For voice & organ. Preface in Ger. and Eng. Ten songs originally composed in Czech, for voice and piano. Score, 35 p.

The 16 compositions are in fact the novel result of a dynamic process of mutual inspiration between the composer and a publishing-house staff member, initiated by their shared pleasure in punning on the

Combining a piano concerto and a cantata in one work is an undertaking that requires true mastery. Ludwig van Beethoven succeeded in this with his Fantasia for Piano, Chorus and Orchestra in C minor, Op.

Edited by Pieter Dirksen. For organ. Complete Edition from the series Bach Complete Organ Works, Vol. 3. Preface in Ger. and Eng. view details

Edited by Nick Pfefferkorn. Piano reduction by Gunther Ludwig. For bass trombone & orchestra (piano reduction). Urtext Edition based on the first edition, published by Breitkopf in 1832. Preface

Edited by James Tocco. Reduction for 2 pianos, 4 hands. Urtext Edition. Preface in Ger. and Eng. Score, 78 p.

Overture from The Magic Flute, arranged for string quartet by Christian Beyer. Score and parts.

For flute & piano reduction. First printing. Four movement work. Duration: ca. 21'. Score, 28 p. and part.

Edited by Klaus Uwe Ludwig. For organ. Preface in Ger. and Eng. Originally scored for piano. Contents: Arietta, Op. 12 No. 1; Alfedans, Op. 12 No. 4; Norsk, Op. 12 No. 6; Berceuse, Op. 38 No.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer

The performance material is derived from the scholarly-critical editions of the "Das Erbe deutscher Musik" series, on which the informative Preface and Critical Report were based. The new piano-vocal score

The clarinet in Clifford Odets's comedy Night Music is directly involved in the stage plot: it is played by the main character and characterizes his moods and actions. The composer Hanns Eisler's

A repertoire anthology of opera arias from roles specific to the lyric bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the lyric-dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

A repertoire anthology of opera arias from roles specific to the dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects

A repertoire anthology of opera arias from roles specific to the alto, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the dramatic mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of