Matthew.28

Fifteen women composers are featured in this collection of lieder themed around evening, night, and longing. In this Urtext edition, all 15 songs appear in their original German language text and are

Edited by Klaus Uwe Ludwig. For voice & organ. Preface in Ger. and Eng. Ten songs originally composed in Czech, for voice and piano. Score, 35 p.

The 16 compositions are in fact the novel result of a dynamic process of mutual inspiration between the composer and a publishing-house staff member, initiated by their shared pleasure in punning on the

Edited by Pieter Dirksen. For organ. Complete Edition from the series Bach Complete Organ Works, Vol. 3. Preface in Ger. and Eng. view details

Edited by Nick Pfefferkorn. Piano reduction by Gunther Ludwig. For bass trombone & orchestra (piano reduction). Urtext Edition based on the first edition, published by Breitkopf in 1832. Preface

For flute & piano reduction. First printing. Four movement work. Duration: ca. 21'. Score, 28 p. and part.

Edited by Klaus Uwe Ludwig. For organ. Preface in Ger. and Eng. Originally scored for piano. Contents: Arietta, Op. 12 No. 1; Alfedans, Op. 12 No. 4; Norsk, Op. 12 No. 6; Berceuse, Op. 38 No.

The clarinet in Clifford Odets's comedy Night Music is directly involved in the stage plot: it is played by the main character and characterizes his moods and actions. The composer Hanns Eisler's

There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Camillo Schumann is one of these nearly forgotten composers. Schumann's tonal

There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Camillo Schumann is one of these nearly forgotten composers. Schumann's tonal

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 40 p.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 51 p.

Adolph Busch had already emigrated to the United States when he wrote the A-Major Clarinet Sonata. Shortly thereafter he revised the work once again unyil it was completed in its final form in

Graham Waterhouse created a little series of lovely melodies for his son, which he then successfully performed at violoncello competitions. The eight pieces can be played alone, as well as in a suite with a

Tio, the little keyboard man, is just about to get to know his instrument properly – since his friends with their other instruments would like him to accompany them at the piano! That works, in fact,