Psalm.78

For violin, cello & piano. First printing. Duration: ca. 9'. Score and parts.

Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the

Edited by Eva Fox Gal & Anthony Fox. For cello & orchestra (piano reduction). Urtext Edition. Preface in Ger. and Eng. Orchestral material is available on rental from the publisher. Duration: ca.

Overture from The Magic Flute, arranged for string quartet by Christian Beyer. Score and parts.

For clarinet, violin, cello & piano. Extended version 2009, printed from manuscript. Commissioned by the Sachsischen Staatskapelle Dresden. Premiered in Dresden, June 2008. One movement work. Includes a

For solo cello. First printing. With performance notes. The music is heavy with natural harmonics, and was composed to sound like the voice of Ella Fitzgerald. Of advanced difficulty. Score, 13 p.

Jean Sibelius composed far less music for the cello than for the violin. Malinconia (op. 20) – published in 1911 but composed in 1900 under the title Fantasia – remained his only opus-numbered

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 35'. Score, 46 p. and part.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 40 p.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition based on the autograph score. Preface in Ger. and Eng. Includes an Urtext cello part and a part marked by Maria Kliegel. Score, 51 p.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 30'. Score, 42 p. and part.

Edited by Nick Pfefferkorn. For cello & piano. Urtext Edition. Four movement work. Preface in Ger. and Eng. This edition contains two versions of the cello part; one is marked by Jurnjakob Timm. Score,

Graham Waterhouse created a little series of lovely melodies for his son, which he then successfully performed at violoncello competitions. The eight pieces can be played alone, as well as in a suite with a