Written primarily for the an anthology of Scandinavian music, this piece evolves calmly but with a strong momentum in a large dramatic arc across its three-part structure. With clear part-writing and
This piece takes William Byrd's famous motet and reimagines it for three unaccompanied choirs. Using plainsong against canon and dense layering that gives it an ancient texture, this challenging selection
This is one of the two motets in a contemporary response to Zarlino's treatise Le istitutioni harmoniche. This work uses text from the communion antiphon but may be sung throughout the year for
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Commissioned as a contemporary response to Thomas Tallis' Latin anthem Loquebantur variis linguis, this a cappella anthem uses verses from the Psalms to pick up on the theme of many tongues
A reflection on Thomas Tallis' Te lucis ante terminum. In each verse the Latin is sung in strict two-part canon: first in the tenor and bass, then in the soprano and alto, and finally in the alto
Composed using both Latin and English, Psalm 100 was co-commissioned by Texas Tech University Choir and the Iowa State Singers. Concise and filled with hope, it seeks to fuse the craft and savor of