Matsushita’s Ave Maria is a very intimate short unaccompanied piece of true inward devotion. An experienced composer, Matsushita has chosen a tonal musical language for this homophonic piece. His
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A lively a cappella setting of the Gloria. While adding to the complexity, independent vocal lines at times and changing meters also add to the charm of this work.
This work sets this traditional text quite simply to reflect the foot-washing moment of the Good Friday liturgy in a beautiful motet which is both charming and satisfying to sing. In an entirely tonal
A careful and thoughtful SSAATTBB transcription of the Wunderhorn song, originally set for solo voice and used in the fourth movement Mahler's second symphony.