Numbers.24

Palm Sunday options abound with this accessible, flexible arrangement of the tune ST. THEODULPH. An optional, easily memorized processional is provided, followed by an arrangement of the hymn, which is

This majestic, festive concertato on the hymn tune HYFRYDOL is designed for congregational singing, and includes optional parts for brass ensemble, timpani, organ and SATB choir. Alternate texts include

Here's a grand processional with flexible options for use throughout the church year. Begin the year by using the Advent text; then bring the piece out again to celebrate Palm Sunday in festive procession,

Alleluia! is a joyous original composition in which both treble and bass ringers share in playing melodic material. With no bell changes, this accessible piece will be an excellent addition to

Though designated for voices and handbells, the accompaniment of this Easter anthem sounds fine with keyboard in the absence of handbells. This setting of Brian Wren's fine text captures the Easter joy and

This arrangement of the medieval chant Victimae paschali laudes, which is used in more liturgical chuches at Easter, begins with a simple original melody that is also used as an interlude between

Exquisite writing for voices, piano, and violin is on full display in this musical tribute to the composer's mother. The comforting text of Matthew 11:28-29 is brought to life through lush harmonies and a

With a sparkling piano accompaniment and soaring phrases of "Alleluia! Amen!," this arrangement of the hymn tune MADRID is an excellent choice for the Easter season or festival days. Treble voices shine in

A festive hymn arrangement for Easter. Choir, congregation, organ, optional handbells (4 bells in the 2 octave range) and optional Bb Trumpets (1 & 2)

This moving setting of the O Sacred Head, Now Wounded will add depth and meaning to Lent and Holy Week services. The opening motif is a unifying element in the arrangement and signifies the steps

Created as a tribute to her mother, Mary Lynn Lightfoot's setting of Psalm 51 is a beautiful anthem for choirs and small ensembles. The vocal parts weave phrases together, guiding listeners and singers

This arrangement of the hymn tune DIADEMATA begins with a vibrant fanfare, which reappears between the two stanzas as an interlude and is also used to close the piece in a familiar and comforting yet