SATB Sacred Concert Choral Music

The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the

The fourth movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

This work is based on the D-Day prayer that President Roosevelt delivered to the nation by radio on June 6, 1944 as the invasion of France by Allied troops was underway, and is still very relevant today as

Perfect as a closer for any concert or performance, this homophonic, a cappella setting is rich in harmonic texture and has a lovely and memorable melodic line. "Though you leave here today and your shoes

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

The second movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

This impressive work is filled with wonderful rhythms. Featuring African drums and hand claps, it is composed for tenor solo (performable by soprano) with choral backup. A joyful, vibrant work!

Commissioned by the Indianapolis Children's Choir, this is the first movement in Raminsh's Missa Brevis in C Minor. Features include a  soprano solo and a middle section that creates a rhythmic

The opening movement from the larger work "Missa Romantica," this gently flowing setting of the Kyrie text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in

The opening movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

This choral excerpt is drawn from the last of four movements of Mendelssohn's setting of Psalm 115 (Opus 31). Largely homophonic, with some contrapuntal sections and a driving piano accompaniment. Both

Extracted from the third movement of the larger work "Missa Romantica," this setting of the traditional Sanctus text in Latin appears in two versions: the first is accompanied as it appears in the larger

The third movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,