Part of the Concordia Children’s Series, this setting of the Basque hymn provides a simple setting accessible to modest musical forces. Set to the tune GABRIEL'S MESSAGE, this two-part choral piece by
This is a breathtaking Christmas carol for a cappella voices. Lisa M. Clark's enchanting text brings to focus the Lamb of God through a skillful retelling of Psalm 23. David von Kampen's musical
A perfect selection for the Easter season comes in this SATB anthem based on Romans 6:9. Beginning with joyous alleluias, the music rises in sequence portraying the text "raised from the dead." The melodic
This setting of the favorite Easter hymn is for unison choir and piano is easily learned. From the very start, engaging rhythms and harmonies in the accompaniment provide interest and reflect the meaning of
This third volume of six versatile and accessible settings from well-known composers is useful for your children's choir throughout the church year. Titles include Use My Tongue (Eatherton);
This hymn text by Stephen P. Starke is based on Christ's words of care for His people from the Sermon on the Mount. This arrangement for SATB, organ, and oboe or violin uses the flowing tune NORTHCROFT.
A peaceful arrangement of a familiar Advent hymn for SAB, organ or piano, and optional handbells. The final stanza is sung by the baritones with the women soaring beautifully above. The handbells are few
The pain of the cross is portrayed as well as the glory we have in the salvation won for us on Christ's account. Lush harmonies will provide an accessible challenge for your choir. This anthem is especially
Adapting the words of the evening hymn Before the Ending of the Day, this rich a cappella anthem wraps the singer and listener in the warmth of God's love with a confident plea for His grace,
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This thrilling Gloria is set for SATB voices, organ, and brass quartet. Featuring joyous, symphonic writing, the piece begins with a fanfare interplay between brass and organ, leading directly into angelic
The composer's setting of Matthew 28:19-20, the great commission text, is lovely. This imitative motet is a cappella and is scored for SATB voices. This is a perfect addition to ordinations, installations,
Composed for the celebration of the 500th anniversary of the Reformation, this setting for two-part voices and piano is characterized by soaring vocal lines and idiomatic piano writing. With text that is
A tender, flowing setting of the German tune GOTT IST DIE LIEBE. This concertato features SA voicing, congregation, organ, and flute or violin. Perfect for children's choirs, this setting will be loved by
This anthem features the beloved hymn text in a gorgeous new tune and setting. The good news of God's love for us is expressively proclaimed through the full dynamic ranges of the choir and organ. Careful
This fun, polyphonic "Hallelujah!" for a cappella SAB choir is a welcome addition to the repertoire. This exultation is perfect for smaller choirs as they sing for joy to the Lord. The piece is useful for
This piece features the text of Isaiah 40:9-11 set in a lilting and lively manner. Following the first unison section, the voices split into a two-part call-and-response interplay. Much of the two-part
Michael D. Costello’s setting of the favorite hymn of trust will be loved by all. Written for SATB a cappella, this piece provides the opportunity to utilize a baritone solo and a treble choir or
This arrangement for two-part choir combines a newly composed tune with the Easter hymn tune DUKE STREET. The first stanza features the traditional tune, the second features the new tune, with the third and
This familiar Christmas carol is given an ethereal setting by Brian L. Hanson. Supported by a gentle, lilting accompaniment, the strains of Still, Still, Still interweave in both the accompaniment
John A. Behnke sets the classic Easter hymn in a festive concertato for SATB, organ, optional brass, 3–5 octave handbells, timpani, and cymbals. Stanza three is for the choir alone and departs from
From Dieterich Buxtehude's cantata Jesu, meine Freude, this edition excerpts the opening sinfonia and three of the choral stanzas. It is scored for SAB choir, two violins, and continuo. This