Philippians 9

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an

This French horn solo opens with a sense of an early morning awakening and then breaks into a gently modified rendition of the tune. The second section becomes more spirited with a sense of expectation and

A trumpet solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a

A trombone solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a

A tuba solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a recitative-like

This solo starts out with in a march triumphant style with a short introduction. The first section is stated in a rather familiar rendition of the melody in varied rhythmic devices. The middle section is a

An accompanied trumpet solo based on hymns of faith including: "I Know Whom I Have Believed," in variation "My Faith Has Found A Resting Place," and "Faith Is The Victory." A technical piece where triple

A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!

This solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory and special. This simple

A Rich Heffler Music arrangement. The piece is in irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.

This French horn solo with piano accompaniment is based on a tenor aria from the oratorio Elijah by Felix Mendelssohn. The flowing style will be good for the younger player. The arrangement is from

Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

This trumpet solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger horn player. The arrangement is from the teaching files of Monty Budahl

This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith -

Originally in a duple meter this arrangement very cleverly is in a  6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece

Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to

Originally in a duple meter this arrangement very cleverly is in a  6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece

This solo with piano accompaniment is based on a classic Irish folk song. The intermediate variations will add interest for the intermediate player. The arrangement is from the teaching files of Monty

This solo with piano accompaniment is based on a classic hymn tune. The simple variations will add interest for the younger player. The arrangement is from the teaching files of Monty Budahl and is useful

A collection for French horn and piano including arrangements on O Come, O Come Immanuel, Infant Holy, Infant Lowly, and Once In Royal David's City. These solos take advantage of

A collection for French horn and piano including arrangements on The Birthday of a King, O Come All Ye Faithful, and What Child Is This?  These solos range from sounds of bold