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This unaccompanied clarinet quartet is based on a traditional Christmas carol. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement

A woodwind quartet with optional parts is presented in a joyful manner giving a sense of expectation. After a pert introduction, the melody is stated with a solo clarinet with answering figures rotated

Brass quartet for two trumpets and two trombones (opt horn and BHTC). The opening section follows very much the manner of the original hymn with harmonic counterpoint to add interest.

Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The piece is straight forward with much of the interest in the thematic material alternating between the upper and lower

A quartet for two trumpets and two trombones the piece begins in a straight forward fashion. A second verse uses a duet statement and the adds fanfare flourishes. Transition material uses imitation and a

Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The texture moves the thematic material between the upper and lower voices- generally in block harmony formats.

A beautifully harmonized arrangement that will prove to be an interesting and enjoyable experience for all performers involved. An uplifting piece, perfect for your Easter performance.

This unaccompanied quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This bright arrangement of the

This unaccompanied saxophone quartet, AATB, is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This lively

Score for two trumpets and two trombones with optional parts for French horn and Baritone TC. The piece is majestic as one might expect for a fanfare. The melodic material is pretty well in the trumpets

Traditional string quartet with opt. violin part for viola. The introduction begins in a somewhat solemn nature, building in tension and then in repose where it introduces the hymn "Savior Like A Shepherd

Traditional string quartet with opt. violin part for viola. The piece is rendered as a march with the tune clearly stated in the first violin and then becomes more chordal in the upper three parts. A

A horn quartet presented in a regal style with the horn parts in a stacked and blocked format punctuated by the piano accompaniment. As the piece progresses the horn parts becomes more active with rhythmic

A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses

A traditional string quartet with option violin for viola. The introduction and first melodic statement is rather straight forward giving a beauty with its simplicity. The next section has the second violin