Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
This sensitive solo arrangement rotates a haunting Siciliano type theme and the traditional Adeste Fidelis in almost a rondo form. A beautiful rendition that is very reflective and meditative and
Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
A Violin solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
A collection for violin and piano including arrangements on Angels We Have Heard On High, O Little Town Of Bethlehem, and Once in Royal David's City. These are vigorous solos using various
A collection for violin and piano including arrangements on I Heard The Bells On Christmas Day, O Come, O Come Emmanuel, and Infant Holy, Infant Lowly. These solos offer a good deal of
A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in
This violin solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was
This violin solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting
A Rich Heffler arrangement. This violin solo starts out with a great deal of flourish based on Come Ye Thankful People, Come and then settles down for a solemn rendition of We Gather
A collection for violin and piano including arrangements on I Wonder As I Wander, Away In A Manger, and What Child Is This. These are sensitively arranged solos with enough
This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the