Psalm 72

A delightful brass ensemble arrangement that gives a constant sense of moment with various rhythmic devices while maintaining the sweeping nature of this old established tune. All parts get in the action

For brass quintet and optional piano and substitute brass parts. After a brief introduction, the theme is presented in an echoing fashion giving a great deal of texture.

A stately brass ensemble designed for a larger group. It has many sections scored for a lush lower brass section often with upper brass embellishments. It is steadfast in its presentation and would serve

Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The piece is straight forward with much of the interest in the thematic material alternating between the upper and lower

Scored for brass quintet with optional parts for alto sax and baritone TC. This quintet is rather straight forward with altered chords at cadence points. The second section of the piece features a French

For brass choir and percussion- this is a very strong and ambitious work. With a fiery and fanfare like beginning the introduction then breaks into a solid full ensemble sound.

Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The texture moves the thematic material between the upper and lower voices- generally in block harmony formats.

This is a brass trio with piano accompaniment. The brass scoring is for trumpet, horn or flugel horn, and trombone or baritone. The style is presented in a majestic manner first in block harmonies and then

A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of

This duet with piano accompaniment is based on a classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.

An accompanied brass trio for trumpet, horn (or trumpet), and trombone (or baritone horn TC). The piece begins with a motive that is imitative and builds in intensity until the theme is presented in the

With a variation of meters and rhythmic devices, this piece has a driving forward thought to it giving a sense to the content of the title. Motivic devices are tossed around the various instruments and in