A good piece to open a service with since it has the character of a jubilant fanfare. The brass duet lines are solid and ends on a forceful note.
Brass quartet for two trumpets and two trombones (opt horn and BHTC). The opening section follows very much the manner of the original hymn with harmonic counterpoint to add interest.
An unaccompanied trombone (opt BHTC) trio begins from the "git-go" with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads
A quartet for two trumpets and two trombones the piece begins in a straight forward fashion. A second verse uses a duet statement and the adds fanfare flourishes. Transition material uses imitation and a
This is a brass trio with piano accompaniment. The brass scoring is for trumpet, horn or flugel horn, and trombone or baritone. The style is presented in a majestic manner first in block harmonies and then
A trombone solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a
This solo starts out with in a march triumphant style with a short introduction. The first section is stated in a rather familiar rendition of the melody in varied rhythmic devices. The middle section is a
This solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory and special. This simple
A Rich Heffler Music arrangement. The piece is in irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
This trombone trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feel) in block harmonization and then
Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to
Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece
This solo with piano accompaniment is based on a classic Irish folk song. The intermediate variations will add interest for the intermediate player. The arrangement is from the teaching files of Monty
This solo with piano accompaniment is based on a classic hymn tune. The simple variations will add interest for the younger player. The arrangement is from the teaching files of Monty Budahl and is useful
A collection for trombone and piano including arrangements on O Come, All Ye Faithful, O Come, O Come, Immanuel, and It Came Upon The Midnight Clear. These solos exploit the full
A collection for trombone and piano including arrangements on Hark! The Herald Angels Sing, Go, Tell It On The Mountain, and How Great Our Joy. These solos make good use of
A collection for trombone and piano including arrangements on Come, Thou Long Expected Jesus, Angels We Have Heard On High, and What Child Is This? These solos exploit the full range of
This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while