John.19

From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

Based on the plainsong hymn "Of the Father's Love Begotten."

*Orchestra score and parts available to rent directly from the publisher

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading

Based on Angels We Have Heard on High, this new arrangement opens with shepherds, represented in the music by tenor and baritone soli, hearing angel voices "o'er the mountains, guided by a Holy

Number one in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

This set of four pieces is written to the poetry of Sarah Orne Jewett, who lived most of her life in South Berwick, Maine and is particularly known for the local color and sense of place she

Chancel choirs will find light work in this rich and lilting setting of Romans 10:14-15 featuring a soaring flute, soprano solo, and deliberate repetition of the word "beautiful."

Based on seven poems by Langston Hughes, this seven movement work is scored for SATB divisi chorus  and chamber ensemble - flute, clarinet, violin, violoncello, percussion, and piano. This interesting

This movement from the larger work At the Water’s Edge, which celebrates the landscape of the seacoast region of New England and its ties to the inhabitants, is set for treble

Carols of the Nativity is a collection of Christmas songs scored for voices and brass choir. Each of the seven pieces by Canadian composer Stephen Chatman can be performed individually or as a set.

Primarily for baritone solo with keyboard or harp accompaniment. The choir joins the soloist for the final phrase. The flowing accompaniment turn this familiar congregational hymn into a lovely

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

Longfellow's poem The Day Is Done speaks of evening as the time when poetry and music come alive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s

Typically this song is performed a cappella, slowly and prayerfully. However, the walking aspect of the lyrics might suggest a bit more movement. Gwyneth Walker has transferred the feel to a Dixieland-style