From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general
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A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly
The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,
A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those
This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.
American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The first movement, i thank
American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The second movement, a modern
American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The third movement, Mariner's
American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading
Rooted in the distinctive "Era of Manifestations" period of Shaker history (1837-1847), this multimovement work is based entirely on Shaker texts and tunes and reflects the visionary repertoire written at
Number four in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on
Number one in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on
Number three in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on
Extracted from the cantata "The Great Lakes," this epilogue paints a beautiful picture of William Wilfred Campbell's poetry. Beginning with a flute solo, continuing with flowing accompaniment, and ending
This set of four pieces is written to the poetry of Sarah Orne Jewett, who lived most of her life in South Berwick, Maine and is particularly known for the local color and sense of place she
This lively work incorporates a sprightly piano accompaniment with the wonderful poem Recuerdo by Edna St. Vincent Millay, along with body movements, to create a real mood piece that is fun and
The beloved hymn Be Thou My Vision has long been part of our rich musical heritage of hymnody. The text is by St. Dallan Forgaill (6th Century Irish), and the tune is Slane (Traditional Irish),
The iconic poem by Ella Wheeler Wilcox is set here in a lilting and gentle composition that may be performed by an ensemble or by a full choir. Peaceful, serene, and comforting, this was commissioned by
Inspired by Shaker anthems, this movement from the collection "Angel of Light" is intended for reflection and response. Sustained vocal lines are embellished with dissonant harmonies, encouraging
Based on seven poems by Langston Hughes, this seven movement work is scored for SATB divisi chorus and chamber ensemble - flute, clarinet, violin, violoncello, percussion, and piano. This interesting
This movement from the larger work At the Water’s Edge, which celebrates the landscape of the seacoast region of New England and its ties to the inhabitants, is set for treble
Written for The Crossing by their resident composer, this innovative work utilizes improvised tone clusters, striking harmonies, and a variety of textures to convey being bound by labor. The final selection