Matthew 26

From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The first movement, i thank

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The second movement, a modern

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The third movement, Mariner's

Rooted in the distinctive "Era of Manifestations" period of Shaker history (1837-1847), this multimovement work is based entirely on Shaker texts and tunes and reflects the visionary repertoire written at

Number four in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

The iconic poem by Ella Wheeler Wilcox is set here in a lilting and gentle composition that may be performed by an ensemble or by a full choir. Peaceful, serene, and comforting, this was commissioned by

Inspired by Shaker anthems, this movement from the collection "Angel of Light" is intended for reflection and response. Sustained vocal lines are embellished with dissonant harmonies, encouraging

This movement from the larger work At the Water’s Edge, which celebrates the landscape of the seacoast region of New England and its ties to the inhabitants, is set for treble

This is a song of hope - of building a bridge between the Israeli and Palestinian peoples. Their respective trees, Jaffa Orange in Israel and Olive on Arab lands, reach out their branches as hands across

This final movement of Songs for the Journey is set to the traditional Irish blessing, "May the road rise up to meet you."

Exploring a variety of vocal and compositional techniques, this original work offers a significant challenge for singers. The text inspires us to persevere beyond the challenges presented by daily life

Originally set as movement VIII of the cantata Melodious Accord, this work uses the hymn tune Vernon from the Mennonite shape note hymnal Harmonia Sacra and text from four verses of

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

A dramatic choral setting of one of the most powerful Langston Hughes poems, this selection has limited divisi and a forceful message.

This challenging work rewards performers and listeners with an exploration into the possibilities and reflections of God. Overlapping, varied choral texture and deliberate metrical moments of rhythmic

Freight Train combines the speed of a train with nostalgic remembrances of places traveled. "There's one more place I'd like to see... to watch those Blue Ridge Mountains climb while I ride Old

This creative and unusual work uses text painting, sound effects, and crafty choral writing to bring to life the text written by Abraham Koplowicz, a Jewish boy who was exterminated by the Nazis during the

Written for full brass ensemble, organ, soprano solo, and chorus, this 17-minute single-movement setting of the Gloria explores a wide range of musical writing. The result is an extended work that

A haunting setting perfect for a reflective, memorial, or commemorative type of occasion. The text is by Alfred, Lord Tennyson and is set in D minor at a slow tempo, with sostenuto and frequently changing

A powerful call to justice, this work reminds us that in order for hope to survive, every day we need to work toward peace. A free-flowing solo is followed by the layering of rhythmic ostinatos, building