Edited by Zoltan Gardonyi, Istvan Szelenyi & Adrienne Kaczmarczyk. For piano. Preface in Ger. and Eng. Extracted from
For Gyorgy Kurtag, Mussorgsky's works have always been an important model. Several of his works contain pieces referring to Mussorgsky (Games III, The Small Snag), and in his opera, Fin de partie, he also
Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. For advanced concert band.
Edited by Adrienne Kaczmarczyk & Agnes Sas. For piano. From the series New Liszt Edition, Supplement Series, Vol. 7. Preface in German, Hungarian and English. The clothbound edition contains
Edited by Imre Sulyok, Imre Mezo & Adrienne Kaczmarczyk. For piano. Revised Edition. Contains the score of all three versions of the Valse Impromptu as published in the New Liszt
Gyorgy Orban (born 1947) is among the most frequently performed contemporary Hungarian composers. His style incorporates a characteristic mix of classical, modern, cinematic, and jazz elements. In addition,
This piano method by the French music teacher Charles-Louis Hanon (1819-1900) appeared in 1874. Almost a century and a half later, it remains among the most popular systems of piano tuition all around the
Edited by Imre Sulyok & Imre Mezo. For piano. Reprint of an earlier edition. Titles include: Psalllite; O heilige Nacht!; Die Hirten an der Krippe; Adeste fideles; Scherzoso; Carillon;
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Edited by Adrienne Kaczmarczyk. For piano. Complete Edition. From the series New Liszt Edition, Supplement Vol. 14. Preface in German, Hungarian & English. The hardbound
Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor, the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to
“I finished this composition at age seventy after more than one year's work. Every minute spent with these pieces has been a pleasure for me. Of these twenty-four character-pieces, one was written