Psalm 40

Ferling's 48 Etudes for oboe have been a staple of the saxophonist's pedagogical repertoire ever since Marcel Mule adapted them for the instrument. Di Bacco has now completed a major project of composing

For advanced solo harp, Lejet has written a showpiece of opposites - extremes in range, tempi, and dynamics. Fulgarances was used as a final exam piece for the Harp Study Certificate at the

Nicolas Proust is one of the foremost performers on saxophone, whether in jazz or concert venues. As an arranger, he has previously released the first three movements of The

Edited by Guy Dangain. For clarinet & piano. Based on two manuscripts. Preface in Fr. and Eng. One movement. Score, 19 p. and part.

One of the most frequently performed composers of his generation, Dalbavie was commissioned for a string quartet by l'Opera de Dijon, with its world premiere performed by David Grimal and Guillaume Chilemme

Louis Moyse, son of the great Marcel Moyse, was a master flutist, educator, and prolific composer in his own right, His Seven Caprices-Etudes from 1947, originally published by Costallat, are now

Antonio Pasculli hailed as the "Paganini of the oboe," had a fondness for transcribing operatic works for oboe and piano. His transcriptions often required virtuosic skills with copious ease of scales,

A flowing Sonatine from the prolific French composer Pascal Proust is not overly demanding of either performer. The melodic line is handled in the flute, with piano occupying primarily an

Elise Bertrand, born in 2000, is already a talent to watch. Taking up the piano at age 5 and the violin at age 8, she has shown early on the ability to musically multitask, mastering both instruments. She

Three different opera overtures from three different generations are based upon the original editions and are presented here for the enjoyment of a new generation of flutists. Includes the Mozart La

Beffa views the familiar Au clair de la lune through various filters, creating variations ranging from languid to swinging, mysterious to painful. These short variations may be performed separately

Ida Gotkovsky, whose Concerto and Variations Pathetiques for saxophone are now staples of the repertoire, has created a new set of variations for clarinet and piano. Advanced performers