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Ferling's 48 Etudes for oboe have been a staple of the saxophonist's pedagogical repertoire ever since Marcel Mule adapted them for the instrument. Di Bacco has now completed a major project of composing
Following the success of her first Chant Lyrique, op. 69 (1932), Fernande Decruck continued to compose several short works for alto saxophone and piano. Several of these compositions are titled "Chant
Seitz's Concerto No. 2 in C major, originally for violin, transcribed for viola solo and piano. Includes pull-out solo part and piano score.
David has transcribed the famous Faure piano cycle for Bb Soprano Saxophone and piano. All six movements are now available for saxophone concerts, from the Berceuse and Mi-a-ou to Kitty-valse and Le pas
For any class, group, or ensemble, Zavaro has crafted a four-part performance piece which uses only the human body as instrument. Slapping abdomen, thighs, and making whistle and kiss sounds, the
Ten original compositions highlight many musical styles of the Caribbean islands, including zouk, mazurka, guajira, guaguanco, and more. These pieces can be played solo or with an optional duet, and audio
Composed as accompaniment to a dancer of East India classical dance, Lalita-Nartya is built upon modes karnatiques with frequent changes of pace and environment. A truly sweet introductory passage states
If Khatchaturian had written ONLY the Sabre Dance, he would have had a very successful career. Composed as a movement of the 1942 ballet "Gayane", the Sabre Dance took the U.S.A. by storm
Looking at the original manuscript, Prost notes that the Solo was written for Franck's son Georges, notated "a little piece for an entrance exam." with instrumentation unspecified. So Prost, himself a
A flowing Sonatine from the prolific French composer Pascal Proust is not overly demanding of either performer. The melodic line is handled in the flute, with piano occupying primarily an
Stars Under the Moon for alto saxophone and piano brings the desired writings of female French composer Fernande Decruck to intermediate saxophonists. Written for solo alto saxophone and piano,
Three different opera overtures from three different generations are based upon the original editions and are presented here for the enjoyment of a new generation of flutists. Includes the Mozart La
Vers de larges horizons is a very contemporary sounding descriptive piece, yet simple and approachable enough for 2nd to 3rd year students. The clarinet melodic lin features octave leaps, the wide