Psalm 85

The Sonata Pathetique is one of the most famous melodies of all time. The simplicity of the melody is what makes it so unique. The depth of emotion and expression in so few notes is what makes this

This work (originally for lute or mandolin) is great for woodwind quintet. This concerto is a typical work of Vivaldi's, demonstrating his gift for tune. The lively solo part sounds more difficult than it

Mozart would have approved! This is one of the most famous classical pieces of all time, and it works great for a mixed woodwind ensemble. All the Mozartian lyrical lines are included in this version, and

This famous orchestral piece is now available for an all-clarinet ensemble. Respighi took 17th-century lute pieces and arranged them to exploit the colors available to the modern orchestra. This is the

Andaluza or ("Playera") is part of a set of 12 dances written in 1890. The color and harmonies lend themselves so well to the sonorities of a flexibly scored mixed woodwind ensemble. Ole!

This Andaluza (or Playera) is part of a set of 12 Spanish Dances written in 1890, now arranged for six flutes. The color and harmonies lend themselves so well to the sonorities of a flute ensemble.

The Piano Sonata No. 10 was one of Beethoven's early works. Here the Andante (2nd movement) has been abridged and transposed from C major to E flat major. This Andante is in the form of air and

This is the most popular and often performed setting by Bruckner. When this work was written Bruckner had just finished a five year course of contrapuntal study, during which he was forbidden to write any

Ave Maria is among the most popular and often-used pieces at weddings, funerals, and recitals. The simple accompaniment combined with the famous flowing melody makes it a great choice to feature a

Banditen-Galopp belongs to the several orchestral numbers Johann Strauss, Jr. arranged from his comic operetta Prinz Methusalem. The title is derived from the appearance in the stage work of a

Imagine floating among the clouds on a beautiful summer afternoon. Making lazy circles and simply floating on the breeze. Making a pass over people standing on the ground watching until finally floating off

First published in 1901, this piece was written for concert/brass band on march cards as well as versions for piano, organ, guitar and even banjo band!

As the title suggests, this piece is Spanish in style. After opening with a short fanfare, the melody is then passed equally between the two lead flutes with the lower voices adding rhythmic chords and

This third concerto was originally written for 3 violins, 3 violas, 3 cellos, and basso continuo, but is now arranged by David Marlatt for five clarinets and bass clarinet. This grouping of choirs of