These mature and well-crafted pieces for an ensemble of ten players showcase Tom Coult's ear for beguiling, burnished sonorities and his ability to harness the most complex of technical devices to rich
Neon has been described as a "gloriously offbeat scherzo" (The Times) and as "a septet rooted in Zappaesque raucousness" (New York Times). It has all the hallmarks of Tansy Davies' unique style: angular,