Isaiah 42

Using a traditional American melody and the words of Isaac Watts and John Newton, Barbara Heastings has created a beautiful Lenten anthem. She also uses portions of Amazing Grace to strengthen its

This combination pairs a text from Isaac Watts with the spirited tune MARCHING TO ZION from William Walker's Southern Harmony. An energetic and rhythmic precision are essential for this anthem – it

Your choir and congregation will enjoy the energy of this interpretation of the SLANE tune. A gentle syncopation and violin obligato add a nice texture to the choral sound, complementing the natural groove

Wedding the "Wayfaring Stranger" tune with a communion text works brilliantly. The familiar tune is plaintive and caresses the words naturally. The vocal writing and piano accompaniment tastefully flow with

A lively, invigorating setting of Psalms 95:6-7 and 118:24 from Allen Pote, punctuated by regular syncopation that is easy to teach. Solid SATB choral writing is rich but not too demanding, with optional

A warm, easy jazz waltz is used to set this familiar carol in a unique way. The vocal textures add interest, and the piano part contributes a playful element – just wait until the walking bass kicks

This wonderful setting of a favorite Thanksgiving hymn starts with a majestic organ introduction followed by a stanza sung in unison. A cappella phrases offer contrast to the full organ and choral sound;

The Holy Spirit performs important work in the life of the believer. This setting reminds us of that work, emphasizing our reliance and dependence upon that influence in our Christian walk. The violin

The wonderful thing about Depth of Mercy is the sentiments that the music yields. The open harmonies and the mournful cello establish an attentive emotion that is profound and grateful. The Charles

This anthem begins with an energetic invitation to join the sounds of celebration in response to the goodness and greatness of God from all His creation! The syncopated rhythms in the opening accompaniment

This modern-day hymn sets a traditional 18th-century text with new music. The stately choral opening contrasts with a flowing a cappella section followed by a majestic organ and optional brass interlude.

Perfect for the Advent season, this piece provides an opportunity for a developing pianist to join the performance with a part that is intentionally simple and can be performed with confidence. The text

Your choir and congregation will enjoy this original and gentle setting of Horatius Bonar's inspired testimony of the Savior. The traditional English melody KINGSFOLD pairs with a beautiful solo violin

The melody of this anthem feels like a folk song, and sounds like one you should already know.  The words are tender and lift a soul-felt offering of praise to God.  Easy to medium in

Joyful and energetic, this selection is appropriate for any season. The bright triple meter and modal touches add to the spirit of the anthem. The piano accompaniment is supportive while letting the voices

This artistic setting of the Southern Harmony tune PROSPECT offers a statement of the sovereignty of God. Accessible to both choir and accompanist, this anthem can be used throughout the year.

Jack Halloran's arrangements are choral gems, and Dick Bolks is a master at taking these challenging divisi a cappella choir settings and crafting them for a standard four-part, SATB mixed choir, with piano

This work is pure magic! Short rhythmic phrases repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate for

Fred Bock’s creativity is evident in his arrangement of this Christmas carol favorite. Revoiced for SATB choir, Fred’s harmonic twists and turns remain for us to enjoy again.  Easy to

Lloyd Larson put on his most distinguished and regal robes when he composed this piece. Using a text by the revered theologian Thomas Troeger and poet John Oxenham, Larson presents a magnificent theme. The

This is one of the classic carols sung worldwide each Christmas. The original voicing of this arrangement is for SATB divisi choirs. A recent voicing cleverly simplifies the parts so there is no divisi and