Inspired by the Psalms 16:11 passage "you will fill me with joy in your presence, with eternal pleasures at your right hand," this original work is filled with joy from beginning to end. The engaging

A truly gorgeous, sensitive, and creative setting for handbells and cello, this arrangement of the familiar FINLANDIA begins with cello playing the solo melody line followed by handchimes and then handbells

This original tune is simultaneously lively and expressive. Incorporating imitation at the octave, ringers will enjoy learning and ringing this intimate accessible setting. Echos, shakes, and thumb damps

This is a beautifully crafted lyric and sensitive arrangement of this wonderful hymn. Singing bell and flute (or C-instrument) solo introduction sets the tone which leads into chords featuring close

This lovely original work offers a lyric melody with fulfilling harmonies and expression. Rung with LV passages throughout, the addition of the optional C instrument lends a Celtic quality, and there are

This original piece was inspired by Revelation 4:1-11 and beautifully reflects that scripture. The passages may be read as part of the performance or simply used as interpretive insight. The bell score may

Inspired by Isaiah 40:30-31, "those who hope in the Lord will soar on wings like eagles," the lovely but simple melody is established immediately and is creatively expanded through different ranges,

This beautifully written original work features an ostinato bass line with well-crafted variations that develop with each iteration. Half-note, quarter-note, then eighth- and sixteenth-note passages and

Avinu Shebashamayim, a prayer for peace and more, has been beautifully set to music by a gifted composer of contemporary Jewish music. Featuring a lyrical melody and beautiful form, this accessible setting

This original piece has a strong melody and is filled with rhythm and energy emphasized by well-placed marts and mart lifts. It segues to thumb damps in the treble which support the melody in the

This favorite traditional spiritual has been given fresh treatment in this rhythmic and engaging arrangement. Techniques include shakes, mallets, thumb damps, marts, mart lifts, and ring touches. Low bass

"A ni sogoma" in the Bambara language of Mali means "The king is coming" – with the expectation of gathering in harmony and peace. Exultant and exciting with lots of rhythmic interest, this original