Psalm 56

With mallet rolls and clicks, finger snaps and thumb damps, this well-known theme is fun to ring! Sure to lighten any concert but especially around Halloween!

Two favorite carols are combined into a delightful and joyous setting featuring styles and rhythms from around the world. Beginning with a Celtic flair, it travels to East Asia, basks in the calypso style

This is a rhythmic, dancing, melodic original work that will have your audience smiling as they sway along to the beat. Techniques include mart, mallet, ring, and shake. The addition of bass handchimes

This delightful and creative setting of four Christmas favorites are in Mixolydian mode. The rhythmic opening section sets the basis of a melodic accompaniment pattern that weaves throughout the work while

The hymn tune GLORIA has probably been arranged more times than we can count. However, this fresh, elegant, and beautiful setting will capture your heart. The familiar tune, often presented in subtle ways,

This is a beautifully crafted lyric and sensitive arrangement of this wonderful hymn. Singing bell and flute (or C-instrument) solo introduction sets the tone which leads into chords featuring close

The theme of Daquin's Noel X is notable in its simplicity, which then opens the musical door to a variety of developments and variations. While maintaining the style and form of the noel, three

This beautifully written original work features an ostinato bass line with well-crafted variations that develop with each iteration. Half-note, quarter-note, then eighth- and sixteenth-note passages and

God Rest You Merry, Gentlemen; All My Heart This Night Rejoices and O Come, O Come, Emmanuel are combined in this lively arrangement. It moves quickly, and the three tunes interplay in fun

This is a creative yet straightforward arrangement of the hymn tune VICTORY. Lower bells are malleted throughout, establishing a steady pulse that underlies the melody. The addition of optional handchimes

This original piece has a strong melody and is filled with rhythm and energy emphasized by well-placed marts and mart lifts. It segues to thumb damps in the treble which support the melody in the

"A ni sogoma" in the Bambara language of Mali means "The king is coming" – with the expectation of gathering in harmony and peace. Exultant and exciting with lots of rhythmic interest, this original