Hebrews.2

Edited by Peter Jost. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Contains an Urtext violin part, and a part marked by Augustin Hadelich. Also includes critical commentary. Score,

 Two evergreens of the violin repertoire, with moderate technical demands, prepared using the first editions, and with fingering by the British violinist and Elgar scholar Rupert Marshall-Luck.

With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals.

This Spanish-inspired virtuoso showpiece is edited by Christiane Stucken-Paland with prefaces in German, French, and English.  It includes marked and unmarked violin parts along with critical

Edited by Peter Jost. Piano reduction by Johannes Umbreit, based on the original by Georges Bizet. For violin & orchestra (piano reduction). Urtext Edition. Preface in Ger., Fr. and Eng. This edition

Written following the composer's 1898 tour of Italy, this standard in the solo violin repertoire is one of Sarasate's most famous and often-played works. This piece is presented in two parts

Telemann's sonatas, published in 1728, are "methodical" according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they also

Edited by Wolfgang Kostujak. For flute or violin & continuo. Urtext Edition. Preface in Ger., Fr. and Eng. Contents: Sonata prima, TWV 41:h3; Sonata seconda, TWV 41:c3; Sonata terza, TWV

Edited by Thomas Kabisch, with supplementary violin part marked by Ingolf Turban. For violin & piano. First Urtext Edition. Preface in Ger., Fr. ... view details

Eugene Ysaye's famous Six Sonatas for Solo Violin, op. 27 (HN 776) belong to the canonical repertoire, but the pieces for violin and piano presented here also deserve a place on the music shelf of students