Mark 1

Eugene Ysaye's famous Six Sonatas for Solo Violin, op. 27 (HN 776) belong to the canonical repertoire, but the pieces for violin and piano presented here also deserve a place on the music shelf of students

Edited by Ulrich Scheideler. For piano. Urtext Edition. Preface in Ger., Fr. and Eng. Score, 6 p.

Just a few months after completing his Cello Sonata op. 6, Strauss composed another work for this instrument: a Romance for cello and orchestra, which remained unpublished during his lifetime. According to

Edited by Peter Jost. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Includes an Urtext violin part, and part marked by Ingolf Turban. Also contains critical notes. Score, 9 p. and

Edited by Claus Kanngiesser, Rupert Marshall-Luck & Rolf Koenen. For cello & piano. Urtext Edition. Preface in Ger., Fr. ... view details

Edited by Peter Jost. For cello & piano. Urtext Edition. This is the first Urtext-Critical edition of the work and offers cellists a chance to rediscover this composition. Preface in Ger., Fr. and

Composed in autumn of 1881, Opus 61 is the last of Dvorak's 'middle" quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic

After the success of his Slavonic Dances in 1878, Dvorak received a request for a string quartet in "Slavonic style." In this piece, each of the four movements is informed by melodies and rhythms in the

Redolent of the work of Dmitri Shostakovich in its musical language, Evgeny Kissin's String Quartet op. 3 comprises four strongly contrasting movements: on the heels of the stately “Adagio

Alban Berg's String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the

"Harmony, bliss, music of Raphaelesque beauty! and yet in its simplicity, how wonderfully artistically everything is done." This is how Theodor Billroth enthused about the first String Quartet op. 88 by his

Critical Urtext edition. Set of parts only: Violin I, Violin II, Viola I, Viola II, Violoncello I, and Violoncello II.

Edited by Dominik Rahmer. Fingering for piano part by Klaus Schilde. For clarinet (violin), cello & piano. Urtext Edition based from the first edition. Preface in Ger. and Eng. Includes critical

From among Reinecke's abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the

Edited by Tobias Glockler. For string bass & piano. Urtext Edition based on the autograph held by the Fondazione Rossini. . Preface in Ger., Fr. and Eng. Includes an Urtext bass part, and a marked

Edited by Alexander Komarov. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. This edition contains an Urtext violin part, and a part marked by Ingolf Turban. Piano fingerings by