Luke 15

A charming piece from the children's collection A Trip to the Zoo. A keyboard-accompanied round with original lyrics and four very independent parts. Intended for children's ensembles, performance

Robert Applebaum offers three versions each of the three settings from the much "beloved" Song of Songs, or Song of Solomon. Each title features printed matter containing a Hebrew transliteration guide, the

This piece, using text adapted from the Song of Songs 2:11-12, is a song of human love and spiritual devotion. The initial motif appears successively traveling between the chorus, in canon in the piano

Text from a Gaelic prayer is beautifully set in this lyrical concert work. The flowing piano accompaniment and moments of unexpected harmony make this piece engaging yet accessible to high school and

Inspired by the writings of young singers, the text of this original work provides simple yet impactful ways to bring about change in the world. Accessible and lyrical part writing supports the message "If

Scored for SSA voices with accompaniment. The Rig Veda is the oldest record of religious yearning, hymns to Nature in the form of gods. This is a legacy of the human race, and not just of the Hindu

"I am a cloud in the heaven's height, the stars are lit for my delight, tireless and changeful, swift and free, I cast my shadow on hill and sea..." This lovely setting of Sara Teasdale's poem skillfully

With the feeling of a medieval procession, this uplifting and uptempo a cappella arrangement for Advent is a great addition to any music library. Wonderful melodic lines, beautiful harmonies and the

This work opens with a choral fanfare, setting a tone of grandeur, followed by a playful melody which features interjections of exaltation, and then moves to a lyrical tune through which singers may take

Robert Applebaum offers three versions each of the three settings from the much "beloved" Song of Songs, or Song of Solomon. Each title features printed matter containing a Hebrew transliteration guide, the

A very accessible setting of this classic spiritual, this is wonderful for those just starting to learn part-singing. Useful for both school and church settings.

This arrangement for SSAA chorus is from the original set Due West for SATB chorus, which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a

This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text begins in unison. This verse structure is followed by a refrain and a canon between the two voices on the text, "The

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

Though "alleluia" is the only word in this entire piece, there is much interest in the dissonant yet beautiful harmonies, the shifting meters, and the driving rhythm. The perfect opener or closer for your

A setting of a poem by Nikki Giovanni that focuses on a young person's desire to play first chair. Part of a larger work entitled "Shoe Jazz," this youthful, exuberant, and individualistic piece with a text

A lovely piece for women's choir with oboe obbligato. The text is taken from Barter, the first in a set of Pulitzer Prize-winning poems from American poet Sara Teasdale. Despite the poet's history

With texts taken from the Kokin Wakashu, a collection of Japanese waka poetry compiled from various poets in the early tenth century, these four short songs of spring show the passing of the season from the

This energetic and spirited piece alternates between call-and-response sections and homophonic ones, exhibiting an ABA form overall. It is a great opener to any concert. Composed for the Columbus

"Will we ever reach the horizon? This is not the end, it is just the beginning." Ideal for final concerts and graduation events, this inspiring original work is a sophisticated yet approachable selection

This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is