One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This choral setting is broad in both scope and tone; the tone painting evokes the
This arrangement for SSAA chorus is from the original set Due West for SATB chorus, which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a
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This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg
With texts taken from the Kokin Wakashu, a collection of Japanese waka poetry compiled from various poets in the early tenth century, these four short songs of spring show the passing of the season from the
This energetic and spirited piece alternates between call-and-response sections and homophonic ones, exhibiting an ABA form overall. It is a great opener to any concert. Composed for the Columbus
Beginning simply with soprano 1 in unison, this setting of the traditional text builds to a gorgeous full four-part contrapuntal Amen. The text then repeats, this time homophonically in four parts, with a
With a melody of unknown origin and a text written by Samuel Francis Smith, this work was given its first public performance on July 4, 1831 at an Independence Day celebration in Boston. It was published a
Paul Laurence Dunbar's poem is just as relevant now as when it was written in 1896. Rhythmic ostinatos in this a cappella setting with a notated djembe part heighten the intensity of the historic text that
Gentle contemporary styling in an a cappella setting gives this a feel reminiscent of The King's Singers. A beautiful text speaks of longing for love and security. "So stay with me, held in my arms. Like