John 8

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text begins in unison. This verse structure is followed by a refrain and a canon between the two voices on the text, "The

With texts taken from the Kokin Wakashu, a collection of Japanese waka poetry compiled from various poets in the early tenth century, these four short songs of spring show the passing of the season from the

A lovely and very accessible arrangement of the traditional British folk song for women's voices. Set in minor with a melancholy feel and well crafted harmonic part writing. Solo or soli opportunities in

The composer wrote this song during the time that he was awaiting his first grandchild, because he did not yet know what her name would be, she could only be "Little One." She has heard the

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

The desire for people of different backgrounds, experiences, and ideologies to come together for the common good was the inspiration behind this folk-like piece. This work speaks to ideas of

From a simple melodic idea shared through the voices, the music builds gradually - dynamically, rhythmically and in density to match the lyrics. The text looks to our lives as an uphill journey, and despite

Gentle contemporary styling in an a cappella setting gives this a feel reminiscent of The King's Singers. A beautiful text speaks of longing for love and security. "So stay with me, held in my arms. Like