This volume features nine theme-and-variation sets composed in the early through mid-nineteenth century by Jan Ladislav Dussek (1760–1812), Otto Dresel (1826–90), and American composers of the
The fifteen pieces in this volume span the major styles of organ composition practiced in France, Germany, and Central Europe in the seventeenth and eighteenth centuries. Included are works by Georg Philipp
The arias in this collection are taken from Sir Henry Rowley Bishop's English adaptation of Mozart's The Marriage of Figaro, performed at London's Theatre Royal, Covent Garden, in 1819. In reworking
The arias in this collection are taken from selected German operas of the eighteenth and nineteenth centuries. All close relatives of Mozart's beloved Singspiels, they were among the most popular works for
The arias in this collection are taken from selected German operas of the eighteenth and nineteenth centuries. All close relatives of Mozart’s beloved Singspiels, they were among the most popular
This volume features fourteen character pieces composed in the early nineteenth through mid-twentieth centuries. Included are songs without words, character pieces, and song-based compositions by Fanny
Edited by David C. Birchler. For string quartet. The present edition includes a short preface, statement of editorial methods, and critical notes and offers the quartet in a study score along with
This volume features ten preludes, fugues, and prelude-fugue pairs from the early nineteenth through mid-twentieth centuries, by Charles Zeuner, Carl Czerny, Joseph Sulzer, and others. Included are pieces
This volume presents ten voluntaries for organ from the eighteenth through early nineteenth centuries, by John Bennett, Maurice Greene, William Walond, and Carl Czerny. All pieces are for manuals only and