Luke 8

This clever arrangement transforms the iconic 19th-century supernatural tone poem into a dynamic 1930s hot jazz piece reminiscent of Django Reinhardt's swing style. The work brings the haunting themes

It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn)

From British progressive rock band Yes, this iconic moment in pop and rock history is scored neatly for big band with the option to feature either a vocalist or tenor sax soloist. Just like the original,

There is a cool vibe in this approachable yet genuine outing in straight eighth-note fusion style. Layers are added to layers for a calculated build-up to a gritty ensemble punch. Every section and part

This is a bluesy call and response between bass instruments and the whole ensemble, with modest brass ranges, suggested piano voicings, and solo space for tenor sax and guitar (or piano). Solo

A great opportunity to get your young players to swing, and swing they will! This super-achievable 12-bar blues chart has it all, including a tune that's as catchy as its title, an open solo section

This straight-eighth chart in 3/4 is an accessible trumpet or flugelhorn solo feature with an outstanding jazz ensemble background. In a beautifully quiet ballad style, your developing soloist will shine as

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or

With a bit of progressive rock and a lot of half-time funk, this great chart can be rounded out with optional synthesizer and electric guitar. The sticky grooves and melodies drive the point home. Two

Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi. A

The jaunty traditional melody appears briefly in its original 6/8 time before you're off on full ensemble, straight-ahead swing. A brief sax soli and some short drum set interjections take the role of