Isaiah.41

As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured at first, but every section of the ensemble gets a

This jazz fusion classic by Chick Corea was recorded by Stan Getz in 1972 and also by Chick Corea with his group Return to Forever on the landmark album Light as a Feather. In this exciting version for

Using a combination of hip-hop and up-tempo swing, here's a marvelous take on Bud Powell's bebop classic. A front line of alto, tenor and trumpet are featured off the top followed by an extended soli for

Nobody does cha-cha like Michael Mossman. This inventive original features a smooth harmonic structure and a nice blend of innovative melodies with carefully crafted accompaniment figures. The solo

Featuring a quartet of alto, trumpet, guitar and vibes at the top, Mark Taylor's stellar treatment of this George Shearing classic swings hard from beginning to end! The intricate bebop lines are skillfully

This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus, the final recoding by Mario Bauza, one of the most influential figures in the development of Latin jazz. The title

Commissioned by the U.S. Army Jazz Ambassadors, this Eric Richards chart shines new light on the beauty and depth of this classic Beatles hit. An up-tempo Brazilian groove gives way to hints of samba and

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for "The L.A. Treasures Project," this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually builds to

Commissioned by the South Carolina Band Director's Association, Finya Wulo (or Mende Funeral Song), is written using a distinctive 12/8 "bembe" feel in a moderate tempo. The scoring utilizes a

Poet Langston Hughes writes, "A long time ago, an enslaved people heading toward freedom made up a song: Keep Your Hand on the Plow! Hold On! The plow plowed a new furrow, and into that furrow, the

Featuring a modal "Celtic" flavor, this original from Michael Mossman uses an energetic drive throughout along with a unique harmonic approach. Also included is solo space for tenor sax, and a section where

Originally co-written and recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. It's perfect for a singer to add their own personality and connect with the audience.

Jazz great Thelonious Monk composed so many classic tunes, and this creative powerhouse of a chart includes snippets of sixteen of them! Challenge your audiences and players to find them all as they are

We are excited to be able to bring Ms Dale's music to the US. She is one of the most popular arrangers in the UK and all of Europe  arranging music for The King's Singers, Voces 8, and many other of

Composed by jazz legend Joe Henderson, this up-tempo burner from Mark Taylor features a mesmerizing groove and masterful scoring. The rhythm section sets the groove and then a trio of tenor, guitar and